Bong Joon Ho’s South Korean thriller Parasite has been named the greatest movie of the 21st century. As a Best Picture-winning hit that connected with viewers worldwide, its dark comedic exploration of capitalism, class consciousness, and working-class exploitation feels particularly resonant amid modern socio-economic difficulties.
In a poll conducted by The New York Times, over 500 directors, actors, and industry figures voted on the best films released since January 1, 2000. Among countless acclaimed releases, Parasite earning the top spot is especially remarkable considering its non-English language status, defying all expectations to achieve global success.
What Makes Parasite Such A Landmark Movie Of The 21st Century
The New York Times Named Parasite This Century’s Greatest
Parasite was the film that transformed Bong Joon Ho from an arthouse favorite to one of the most celebrated filmmakers of modern cinema. As a brilliant deconstruction of neoliberalism, the class inequalities showcased in Parasite mirror the growing disillusionment echoed among global viewers in the 21st century.
The stark contrast between the wealthy Park family and the impoverished Kim family encapsulates the struggles faced by the lower classes in South Korea, resonating universally with our present-day realities. The way the Kims infiltrate the Parks, one by one, reveals the desperate measures people take just to survive.
While Parasite rightfully garnered acclaim for its thematic depth, its overwhelming success is attributed to its masterful blend of black comedy and genuine thrills. This thrilling social satire captures modern frustrations with astounding precision, tapping into universal grievances.
Our Take On Parasite Earning The Top Spot
Parasite Isn’t The Only Masterpiece Of This Century
Parasite was an excellent choice for the greatest film of the 21st century, and its themes mirroring pressing societal struggles make it particularly relevant. When it debuted in 2019, Parasite felt like an urgent narrative, justly honored with the Palme d’Or at Cannes and multiple Academy Awards.
It took home accolades for Best Picture, Best Director, Best Original Screenplay, and Best International Feature Film, while also securing nominations for Best Film Editing and Best Production Design.
However, Parasite isn’t the only cinematic gem deserving recognition. Films like Mulholland Drive (2nd place) and There Will Be Blood (3rd place) also warrant consideration in this grand conversation. The past 25 years have gifted us with remarkable releases, emphasizing Parasite’s status as an instant classic while also honoring other great films.
Source: The New York Times