Why is Drive the smartest hit in Hollywood?

Bank robberies in movies usually involve high-speed dyes and explicit destruction. In Drive, on the contrary, it was just the opposite. In the opening scene of the 2011 neo-noir thriller, Ryan Gosling’s character Driver takes a unique and ingenious approach to perform a comic job on an overnight trip.

The main reason for this is that Gosling’s character uses stealth rather than speed to escape. The first way he did, was with the car he was driving. On most car trips in Hollywood, the main character usually goes some sort of sports car or muscular car instead of sneaking. In mechanics, Shannon, played by Bryan Cranston, gives the 2011 Chevrolet Impala silver to the driver. At the moment, it was one of the most popular cars in America and a perfect way to hide on stage. The vehicle itself was left contactless on the outside. Still, modified it under the bonnet to give the humble Chevrolet the extra power it needed to escape the police.

Another way to achieve this is that a driver only accelerates when the police see him and spend the night to his advantage. Gosling’s figure did not move away when the thieves got back into the car but eased slowly and kept to the speed limit. Not only did it draw far less attention to it, but it also allowed him to consider the situation more clearly. In addition, the driver used undisclosed alleles and back roads several times during the chase to hide from police patrols and spotlights. He also used a scanner to listen to police radio communications to plan his instructions accordingly.

More importantly, the driver was fast but in very short shocks during the chase, except when the police just found him. For example, a patrol car in front of a driver was illuminated by a red light. Instead of fleeing immediately, he waited patiently for the green light to turn on and an audible confirmation that he had been identified and that the police had acted. He orbited the patrol car with surgical precision and escaped its pursuit within seconds.

The target driver chose to get the car out, and his glamorous passengers took into account this chase. In Hollywood, a car chase often ends in a severe accident. The protagonist parks his car in a very remote location. Driving again had nothing to do with the norm. The driver decided to leave his car during an NBA game at the Staples Center, one of the largest haunts in Los Angeles. He played on the radio during the chase and listened to the game’s progress so he could fit perfectly into his entrance on time at the end of the match. This meant that at the ending of the chase, he drove directly into the parking lot in the center, got out and out of the way, and mingled lightly with the departing crowd.

Instructor Nicolas Winding Refn’s style decisions are strongly involved. The entire chase is filmed from inside, on the bumper, or from the back of the car. The dynamics of the scene were a massive success as it allowed viewers to experience the chase as if they were in a car with a driver. This, combined with a graphic soundtrack, created roller coaster synth waves to build and release tension throughout the sequence.

Drives opening scene is probably Hollywood’s smartest hunt because it’s so different. He takes the whole Hollywood hunt and throws it out the window. And it’s not just the ideas that make it bright, but the application of these ideas sets the mood for one of the 2010s most unique thrillers.