Network TV Shows Deserve More Love at the Emmy Awards

The 2025 Emmy Awards have sparked heated discussions, especially among fans of network television. While the jury has often favored streaming giants and cable networks, shows on CBS, NBC, and ABC have been left largely overlooked. Notable absentees include the beloved High Potential, a glaring omission in a year that champions lesser-known series like Abbott Elementary. This raises questions about the Academy’s criteria for nominations and whether it truly reflects the quality of shows produced on traditional networks.

When the nominations were revealed on July 15, streaming hits such as Severance and The White Lotus dominated the spotlight, leaving many fans disillusioned. Despite Abbott Elementary‘s recognition in several key categories, it’s hard to ignore the wealth of talent and creativity within network television that deserves similar acclaim.

Stars That Shined But Were Overlooked

Tyler James Williams in Abbott Elementary

Tyler James Williams was anticipated to be a frontrunner for Outstanding Supporting Actor in a Comedy Series. After stellar performances throughout the series, especially during season 4, his omission from the nominations felt like a significant snub. His ability to navigate both humor and emotional depth is commendable, yet left him unrecognized this year, which many fans found disheartening.

Elsbeth Ignored Again

Though not shocking, Elsbeth‘s absence from the Outstanding Comedy Series category is a disheartening reminder of how critically acclaimed shows can fall through the cracks. As a unique spinoff from the successful The Good Wife and The Good Fight, fans and critics expected more love from the Academy. With its unconventional format and standout performances, Elsbeth deserves the spotlight, especially as season 3 looms on the horizon.

Kathy Bates and Matlock

While Kathy Bates received a nomination for Outstanding Lead Actress in a Drama Series for her role in Matlock, the show itself warrants broader recognition. The series has made a strong impression with its modern twist on the classic legal drama. Critics and viewers alike have applauded its engaging storytelling and Bates’ stunning performance. As it gears up for a second season, it remains to be seen if the Academy will pay closer attention.

Peter Krause in 9-1-1

Many believed that Peter Krause’s time portraying Bobby Nash would end with an Emmy nomination, particularly following an emotionally charged final episode. His work delivered a compelling portrayal of the character that resonated deeply with audiences, yet the network’s limitations seem to have played a role in his exclusion from the nominations. It’s a reminder of the biases that persist in awards recognition.

Carrie Preston’s Struggles

The outstanding performances of Carrie Preston in Elsbeth serve as a testament to her talent, making her lack of nomination even more perplexing. Her rich portrayal of Elsbeth Tascioni has captivated viewers, yet the continued dominance of streaming platforms overshadows her significant contributions. The Academy’s choice to overlook her reflects a troubling trend where network efforts are too often dismissed.

Rising Stars Await Recognition

Lisa Ann Walter in Abbott Elementary

Despite her remarkable work as Melissa Schemmenti, Lisa Ann Walter is still waiting for an Emmy nod. Her performance in season 4 was remarkable, displaying a mix of humor and vulnerability that showcases her range. It feels like a missed opportunity for the Academy to celebrate all facets of the Abbott Elementary ensemble.

The Humor of St. Denis Medical

St. Denis Medical quickly garnered a fanbase thanks to its quirky humor and engaging storytelling. Yet, it did not make it to the Emmy nominations list. Given its charm and delightful cast, it deserves recognition on par with critically acclaimed comedies, proving that network television offers a breadth of talent that should not be underestimated.

Skye P. Marshall: A Rising Presence in Matlock

In a show that features a powerhouse like Kathy Bates, it’s easy for an emerging star like Skye P. Marshall to go unnoticed. Her role as Olympia Lawrence has added significant depth to Matlock, and her dynamic interactions with Bates have enriched the narrative. The Academy’s oversight of her performance is regrettable and highlights the challenges faced by emerging talents in recognizing their impact.

These snubs remind us that quality programming exists not only on streaming platforms but within network television as well. The conversations surrounding this year’s Emmys serve as a call to widen the lens through which we evaluate entertainment. Fans eagerly await the changes that may come, hoping for a future where all genres and platforms receive their due praise.

The cultural landscape of television is evolving, and as it does, perhaps the Academy will begin to reflect that diversity, acknowledging the broad spectrum of creativity that exists beyond streaming and cable. Until then, ardent supporters of network television continue to rally for their favorite shows and performers, sharing their love and admiration in a fight for recognition.

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